She approaches each wedding like a story already in motion—observing quietly, listening closely, and waiting for moments to reveal themselves rather than forcing them into place. Her work is shaped by a deep appreciation for old photographs, printed newspapers, and the kind of images that feel discovered rather than staged. She believes the most meaningful moments happen in the in-between: a hand resting on a shoulder, a breath taken before a vow, the way light settles into a room just before everything begins. Rather than directing the day, she moves with it—stepping in only when guidance brings ease, and stepping back when authenticity matters more. The result is imagery that feels honest, layered, and timeless, meant to be returned to years from now. Photographs that don’t just show what it looked like, but what it felt like.